Entertainment

Sara Ali Khan Is Being Called “Irritating” For Her Film “Gaslight”

Sara Ali Khan-starrer Gaslight, coordinated by Pavan Kirpalani, strolls the very path that has been taken by numerous films that preceded it, according to some Twitter clients. On March 31, when the movie debuted on Disney+ Hotstar, the first social media responses to the murder mystery began to pour in. While a segment of Twitter clients called Gaslight ‘exhausting and slow’, others said a wheelchair-bound Sara Ali Khan ‘became bothersome to watch after 30 minutes’.

Sara Ali Khan as Meesha

Meesha, a young woman, is played by Sara Ali Khan in the psychological thriller. She discovers that something terrible has occurred to her father when she arrives at his ancestral home, but she is unable to persuade anyone else of the same. Chitrangda Singh stars as Sara’s stepmother Rukmini in Gaslight. Along with Akshay Oberoi, Shishir Sharma, and Rahul Dev, Vikrant Massey plays Kapil, Sara’s father’s right-hand man.

Twitter reacts to Gaslight

Gaslight received mixed reviews on Twitter, with many critics describing it as predictable. Some claimed that you could solve the mystery in a matter of minutes if you watched enough whodunits. Sara’s performance was also reviewed by others. One Twitter client expressed, “Gaslight audit: It was poor and lacked any kind of interest. Sara Ali Khan was unconvincing once more, her open mouth and doe-eyed articulation weren’t helping her. After 30 minutes, she became irritating to watch. It was exhausting and slow.” Additionally, “What has happened to Sara Ali Khan?” was a tweet.

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Why are these films so bad? I think her profession is over before it truly took off!”
Another person tweeted, “The film’s writing was lacking. Although the twists were fun, they lacked depth. Only Chitrangda’s character had layers, while Sara and Vikrant Massey’s characters required more background.” “The second half really took me by surprise!” another tweet. “The first half was a little slow and honestly could have been better.”

Kavya Bhatt

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